Avatar: The Way of Water
Avatar: The Way of Water is a visual marvel that struggles to match its technical achievement with storytelling of equal ambition. Worth seeing once, on the biggest screen possible.
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Avatar: The Way of Water is a visual marvel that struggles to match its technical achievement with storytelling of equal ambition. Worth seeing once, on the biggest screen possible.
The Fabelmans has Spielberg's visual intelligence and a cast doing exceptional work, undermined by a runtime that no one asked him to trim.
Wakanda Forever is a moving tribute to Chadwick Boseman and Marvel's strongest film since Endgame.
Bros is a sharp, warm, and surprisingly honest romantic comedy that earns its landmark status without leaning on it.
Clerks III is Kevin Smith's most emotionally complete film in years, a return to form that earns its place alongside the original.
Dragon Ball Super: Super Hero is a solid entry point for lapsed fans and a satisfying showcase for the franchise's secondary cast, just don't expect the usual formula.
Emily the Criminal is a sharp, human descent-into-crime story elevated by Aubrey Plaza at her most committed. Imperfect but essential viewing.
Baz Luhrmann's Elvis is a maximalist, brilliant, occasionally overwhelming tribute that frames its subject as the American myth he became.
Cha Cha Real Smooth is a well-funded entry in a genre that already has better versions of itself. Cooper Raiff's charm only goes so far.
Sam Raimi's Doctor Strange sequel is a grounded horror film about grief dressed in Marvel spectacle, and it's one of Phase Four's best.
Downfall: The Case Against Boeing is a clear, damning, and essential documentary about what happens when corporate interests override passenger safety.
Don't Look Up is Adam McKay's most pessimistic film and one of his most precise. A deeply cynical comedy that lands harder than it should.