Disclosure Day
Spielberg returns to first contact with a colder eye, and Emily Blunt anchors his best original sci-fi in years. A loose third act barely dents it.
Reviews, opinions, rankings, episode pages, and original work from across the network.
Spielberg returns to first contact with a colder eye, and Emily Blunt anchors his best original sci-fi in years. A loose third act barely dents it.
Hands-on with seven unreleased indies at Tribeca's 2026 Games Showcase, from a paper-airplane elegy to a sound-driven must-play. Which one stole the show?
A spoiler-free look at the first two episodes of X-Men '97 season 2, screened at Tribeca. Apocalypse takes center stage and the show hasn't missed a step.
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A decade on, Age of Ultron is the Marvel movie that mistook setup for substance, and the first dry run for the homework problem that broke the Multiverse Saga.
The GBA port of Disney's Extreme Skate Adventure works harder than the hardware wants to, but stumbles as the on-ramp it was built to be.
Toy Story 4 is a pleasant, faintly unnecessary sequel, the moment Pixar learned it could mandate these and have them work. Tony Hale shines.
The box office just handed Hollywood a lesson about IP, and few will learn it.
John Carney's Power Ballad turns Paul Rudd and Nick Jonas loose on a stolen-song story that nearly earns him his overdue Oscar.
Two big May sequels, two near-misses.
Mattel's He-Man reboot borrows too heavily from other modern blockbusters and undercuts its own message.
A decade on, the film that taught Marvel to trust its filmmakers is still the high-water mark of the Infinity Saga.