Toy Story 5
Toy Story 5 has a real idea about tech and childhood, and keeps flinching from it. Jessie's arc saves a film that won't commit.
Toy Story 5 has a real idea about tech and childhood, and keeps flinching from it. Jessie's arc saves a film that won't commit.
Spielberg returns to first contact with a colder eye, and Emily Blunt anchors his best original sci-fi in years. A loose third act barely dents it.
A decade on, Age of Ultron is the Marvel movie that mistook setup for substance, and the first dry run for the homework problem that broke the Multiverse Saga.
Toy Story 4 is a pleasant, faintly unnecessary sequel, the moment Pixar learned it could mandate these and have them work. Tony Hale shines.
John Carney's Power Ballad turns Paul Rudd and Nick Jonas loose on a stolen-song story that nearly earns him his overdue Oscar.
Mattel's He-Man reboot borrows too heavily from other modern blockbusters and undercuts its own message.
A decade on, the film that taught Marvel to trust its filmmakers is still the high-water mark of the Infinity Saga.
Toy Story 2 is Pixar's greatest sequel and one of the finest animated films ever made, rebuilt from scratch against impossible odds.
The Mandalorian and Grogu is a fun but overlong episode of the Disney+ show dressed up for a theatrical release.
Pixar's 1995 landmark still holds up. It is visually inventive, emotionally grounded, and funny for all ages in ways few animated films match.
Miyazaki's 1984 masterpiece still holds up, with stunning hand-drawn animation and an environmental message that only grows more urgent.
The Super Mario Galaxy Movie is a colorful distraction that would almost certainly be better watched on streaming than in a theater.