Avatar Aang: The Last Airbender
Avatar Aang: The Last Airbender is gorgeous and ambitious, but too big for the continuity slot it occupies.
Avatar Aang: The Last Airbender is gorgeous and ambitious, but too big for the continuity slot it occupies.
Shawn Levy and Ryan Coogler return to the MCU in 2028 with Ghost Rider and Black Panther III!
June gave us five movies, the most we've seen in a single month this year, and after a couple of
Obsession is a sharp horror film with a breakout performance from Inde Navarrette, undone by a final act that breaks its own rules.
Nolan follows Oppenheimer by deconstructing Homer into the best film of the year. The Odyssey is a staggering, IMAX-shot masterpiece.
Milly Alcock is extraordinary as a jaded Kara, but a grungy monotonous universe and a too-thin villain keep Supergirl from greatness.
Toy Story 5 has a real idea about tech and childhood, and keeps flinching from it. Jessie's arc saves a film that won't commit.
Spielberg returns to first contact with a colder eye, and Emily Blunt anchors his best original sci-fi in years. A loose third act barely dents it.
John Carney's Power Ballad turns Paul Rudd and Nick Jonas loose on a stolen-song story that nearly earns him his overdue Oscar.
Two big May sequels, two near-misses.
Mattel's He-Man reboot borrows too heavily from other modern blockbusters and undercuts its own message.
The Mandalorian and Grogu didn't flop, it did something worse. It quietly confirmed that fine is the ceiling for Star Wars now. Here's why that should scare Disney.