Avatar Aang: The Last Airbender
Avatar Aang: The Last Airbender is gorgeous and ambitious, but too big for the continuity slot it occupies.
Avatar Aang: The Last Airbender is gorgeous and ambitious, but too big for the continuity slot it occupies.
Shawn Levy and Ryan Coogler return to the MCU in 2028 with Ghost Rider and Black Panther III!
The Avengers: Doomsday trailer finally dropped, but the timing tells the real story. On the "Dunesday" clash, the Russos' missing voice, and Marvel's empty slate.
June gave us five movies, the most we've seen in a single month this year, and after a couple of
Obsession is a sharp horror film with a breakout performance from Inde Navarrette, undone by a final act that breaks its own rules.
Nolan follows Oppenheimer by deconstructing Homer into the best film of the year. The Odyssey is a staggering, IMAX-shot masterpiece.
A decade on, Homecoming is a charming origin with a superb Michael Keaton, and a hero who never escapes Tony Stark's shadow.
Twelve states are suing to block the $110B Paramount-Warner merger. The numbers in the complaint are damning, and the barrier-to-entry argument is the real one.
Before the revisionist history starts, the 1984 Supergirl starring Helen Slater isn't a misunderstood gem; it's a hollow film with no urgency and a lead with no agency.
Milly Alcock is extraordinary as a jaded Kara, but a grungy monotonous universe and a too-thin villain keep Supergirl from greatness.
Toy Story 5 has a real idea about tech and childhood, and keeps flinching from it. Jessie's arc saves a film that won't commit.
Spielberg returns to first contact with a colder eye, and Emily Blunt anchors his best original sci-fi in years. A loose third act barely dents it.